Raymond Benson was born September 6th, 1955 in Midland Texas. His father, Morris, was a geologist for Gulf Oil; his mother was Beulah (nee Butler). He was 9 when his father took him to a drive-in showing the film Goldfinger. Benson told Texas Monthly. “It changed my life. No one had ever seen anything like that in Texas and it opened a huge fantasy world for me.” He graduated from the University of Texas, Austin in 1978 with a BFA in theatre directing. He was an apprentice Stage Manager and Director at The Alley Theatre, Houston, Texas from 1978 to 1979; and was also a member of the Board of Directors of Empire Stage Players in New York City in 1981.
He spent over a decade in New York directing stage productions and composing music. He composed the music for the theatrical productions Alice In Wonderland, (first production in Houston, Texas at the Alley Theatre, 1978-1979); Paper Tiger (text by Thomas Brasch, first production in New York City, New York Theatre Ensemble in 1980); The Resurrection of Jackie Cramer (text by Frank Gagliano, first production in New York City at the American Theatre of Actors in 1980); The Man Who Could See Through Time (text by Terri Wagener, first production in New York City at the Ark Theatre in 1984); Charlotte`s Web (first production in New York City, at the Lincoln Center Institute in 1984-1985). He won off-off-Broadway awards for Musical Composition for the Theatre from the American Society for Composers, Authors, and Publishers in 1980 for The Resurrection of Jackie Cramer and Paper Tiger, and in 1984, for The Man Who Could See Through Time. Benson told Contemporary Authors that he had directed several productions in New York and Texas including several of his own musicals. “I enjoy composing incidental scores, and someday I hope to score a film.”
His first book, The James Bond Bedside Companion was published by Dodd in 1984, and in a revised edition in 1988. It was nominated for best bibliographic/critical work in the 1985 Edgar Allan Poe competition. Glidrose took note and signed him to write a stage play of Casino Royale, though it was never produced. Benson also designed and wrote several award-winning interactive software products, including the interactive games Stephen King`s: The Mist, A View To A Kill (1985), and Goldfinger (1986), all published by Angelsoft/Mindscape; and You Only Live Twice II by Victory Games in 1986. He subsequently joined Viacom New Media, where among his many credits, he helped co-design the CD-ROM adventure “Are You Afraid of the Dark”?, and “The Indian In The Cupboard”, an interactive children`s learning adventure based on the Motion Picture.
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Benson also taught film theory classes at the new School for Social Research in New York and interactive screenwriting at Columbia College in Chicago. He had told Contemporary Authors in the mid-eighties that he was working on an original screenplay about the Adventures of a National Park Ranger. The interactive movie Dark Seed II, which he wrote, was released in 1995. In November 1995, Glidrose chairman Peter Janson-Smith phoned out of the blue and explained that John Gardner was stepping down; would Benson be interested in taking over? Benson, surprised, accepted, and according to Publisher`s Weekly, was paid a six-figure sum. Glidrose was so pleased with his first novel Zero Minus Ten that they signed him to a four book contract. In early 1998, Benson began writing a non-Bond novel, Evil Hours, about a true-life murder that occurred in the small town he grew up in. He currently lives outside of Chicago with his wife Randi and their teenage son Max.
Born: 9/6/1955
Midland, Texas