We’re about ready at BondFanEvents to do our thing in Las Vegas, including a surprise guest from the Diamonds Are Forever crew. Send a note to join us, 007!
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call for papers: GOLDFINGER!
JAMES BOND AS POPULAR ICON: GOLDFINGER AT 60 (AND 55)
Call For Papers for SAMLA ’91 — Goldfinger—the seventh James Bond novel by Ian Fleming published in 1959—has achieved an iconic status in the series. The novel brings together many of Fleming’s chief strengths as a writer—such as his vivid creation of larger-than-life-villains, suspenseful description of competitive games, and evocation of the power of precious metals and stones. The novel also introduces key “gadgets” such as the Aston Martin DBIII, and explores key Fleming themes such as organized crime, homosexuality, and American culture. Equally, if one film can claim to have established the identity of Bond as a global cinematic icon, that film is Goldfinger. Guy Hamilton’s 1964 adaptation set the formula of the Bond movie for decades, complete with thrilling pre-title sequence, dazzling opening credits and powerful theme song (sung here by Shirley Bassey), deadly henchman (Oddjob) and the gadget-laden car (the Aston Martin DBV). This panel will use the 60th and 55th anniversaries of novel and film in 2019 as an opportunity to examine the enduring power of various elements of the Bond “formula” created by Fleming and the filmmakers, and to reevaluate the continuing popularity of Bond in popular culture. Paper proposals are invited on any aspect of Fleming’s novel, Hamilton’s film, and the relationship between the novel and its adaptation. Given the conference theme of “Languages: Power, Identity, Relationships,” papers that explore the language of Fleming, and/or issues of power, identity, and relationships in Goldfinger are especially welcome. Please send 250-word proposals, brief bios, and A/V requirements to Oliver Buckton (obuckton@fau.edu) and Matt Sherman (baconbond@gmail.com) by May 15th, 2019.
BondFanEvents has a coupon we can share with buyers of The Many Facets of Diamonds Are Forever–the book that arose from a set of prior SAMLA discussions–a 30% discount when purchased direct from Lexington books (in either an electronic or hardcover edition)!
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What joy! A collection on my favorite Bond book, the one with most wit. This sparkling collection offers interesting perspectives both on the film and on the more lackluster but still worthwhile novel of that title. Both novel and film focus on America during its age of unrivaled power.
— Jeremy Black, University of Exeter, author of The World of James Bond: The Lives and Times of 007
The Many Facets of Diamonds Are Forever offers an abundance of riches for both Fleming scholars and fans. In particular, Guy Hamilton’s 1971 adaptation of Fleming’s novel receives considerable attention and, in the phrasing of one of the volume’s fine contributors, proves to be a ‘key transitional film for the Bond series.’ Readers and viewers alike will find much of value in this anthology.
— Stephen Watt, Indiana University
(Interview with the author, available at https://jamesbondradio.com/inside-oliver-bucktons-new-book-the-many-facets-of-diamonds-are-forever/)
Call for papers: OHMSS!
JAMES BOND’S IDENTITY CRISIS: ON HER MAJESTY’S SECRET SERVICE AT 50
Call For Papers for SAMLA ’91 — In 1969, the world of film was presented with an almost unthinkable breach of protocol: in the new James Bond film, On Her Majesty’s Secret Service (OHMSS) the familiar face of Sean Connery was no longer James Bond, instead; the global icon 007 was represented by an unknown Australian actor/model, George Lazenby. As Lazenby’s only Bond film, OHMSS has been neglected—and maligned—as a “misfit” in the James Bond series. Not only does the film begin with Bond attempting to resign from the Secret Intelligence Service, but it is the only film in which Bond—the permanent bachelor–does the unthinkable and gets married to Tracy di Vicenzo (powerfully played by Diana Rigg). The tragic conclusion of the film and escape of Ernst Stavro Blofeld also makes it an anomaly, a radical departure from the “Bond defeats the villain and gets the girl” formula. The time has come, at this 50th anniversary of the film, to reevaluate it and examine the “identity crisis”—both that of James Bond himself and of the Eon Bond film series—it represented. This panel welcomes papers on any aspect of the 1969 film of OHMSS, directed by Peter Hunt, and/or the novel by Ian Fleming, published in 1963, of which it is a surprisingly close adaptation. Please send 250-word paper proposals, brief bios, and A/V requirements to Professor Oliver Buckton at Florida Atlantic University (obuckton@fau.edu) and Matt Sherman (baconbond@gmail.com) by May 15th, 2019.
BondFanEvents has a coupon we can share with buyers of The Many Facets of Diamonds Are Forever–the book that arose from a set of prior SAMLA discussions–a 30% discount when purchased direct from Lexington books (in either an electronic or hardcover edition)!
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What joy! A collection on my favorite Bond book, the one with most wit. This sparkling collection offers interesting perspectives both on the film and on the more lackluster but still worthwhile novel of that title. Both novel and film focus on America during its age of unrivaled power.
— Jeremy Black, University of Exeter, author of The World of James Bond: The Lives and Times of 007
The Many Facets of Diamonds Are Foreveroffers an abundance of riches for both Fleming scholars and fans. In particular, Guy Hamilton’s 1971 adaptation of Fleming’s novel receives considerable attention and, in the phrasing of one of the volume’s fine contributors, proves to be a ‘key transitional film for the Bond series.’ Readers and viewers alike will find much of value in this anthology.
— Stephen Watt, Indiana University
(Interview with the author, available at https://jamesbondradio.com/inside-oliver-bucktons-new-book-the-many-facets-of-diamonds-are-forever/)
Discount on Outstanding new bond title
BondFanEvents has a coupon we can share with buyers of The Many Facets of Diamonds Are Forever–a 30% discount when purchased direct from Lexington books (in either an electronic or hardcover edition)!
Send us a PM, and note the new book cover as shown here and on site: https://rowman.com/ISBN/9781498567589/The-Many-Facets-of-Diamonds-Are-Forever-James-Bond-on-Page-and-Screen#
What joy! A collection on my favorite Bond book, the one with most wit. This sparkling collection offers interesting perspectives both on the film and on the more lackluster but still worthwhile novel of that title. Both novel and film focus on America during its age of unrivaled power.
— Jeremy Black, University of Exeter, author of The World of James Bond: The Lives and Times of 007
The Many Facets of Diamonds Are Forever offers an abundance of riches for both Fleming scholars and fans. In particular, Guy Hamilton’s 1971 adaptation of Fleming’s novel receives considerable attention and, in the phrasing of one of the volume’s fine contributors, proves to be a ‘key transitional film for the Bond series.’ Readers and viewers alike will find much of value in this anthology.
— Stephen Watt, Indiana University
(Interview with the author, available at https://jamesbondradio.com/inside-oliver-bucktons-new-book-the-many-facets-of-diamonds-are-forever/)
New Book focus: diamonds are forever
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And, speaking of Diamonds, join us in Las Vegas for one of our many Bond fan events!
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wild script – Diamonds Are Forever
The story that brought Diamonds to the screen is clouded in numerous rewrites and a number of different plots.
The first draft, was originally going to start off very differently, and was to do something that seems a bit odd. The pre-title sequence was to be the wedding and death of Bond`s bride, (taken from OHMSS) and was to lead into a different story altogether, after that.
The original drafts also featured a new villian, the twin brother of Auric Goldfinger (who was to be played again by Gert Frobe), and the plot was revenge for his twin. Broccoli and Saltzman liked the idea at first, but later rejected it as being “too far off of the original premise of Fleming`s novels.” Also, his revenge was to done by killing Bond`s bride, (tying up loose ends, and such.) Dick Maibaum even had a fantastic line written for Bond`s first encounter with Goldfinger`s twin: “I think you knew my brother Auric. Mother always said he was a bit retarded.” The line got dropped when the whole storyline got jettisoned.
The villians from the book, the Spangled Mob, were considered, but not right for the time, so Blofeld returned. Also, many actors were considered for the role of 007, before Sean stepped back into it. Those considered included Burt Reynolds and Roger Moore but the producers flat out rejected Reynolds (because he was American). Reynolds was chosen by MGM/UA execs, trying to cash in on his status as one of the world`s biggest male movie stars (at the time) Well, we all know Moore got the role more than a year later in Live and Let Die.
Another interesting point stricken from the first few drafts was the climactic fight. Originally it was set to take place in a salt mine in Baja California and 007 was somehow supposed to grab hold of a weather balloon that was attached to a fleeing speed boat being driven by Blofeld. When the boat stops, Blofeld turns around to see Bond way up in the sky dangling from the balloon and says:
“Mary Poppins I presume?” He shoots Bond down and the fight begins.
Another draft of the film had the climactic showdown on Hoover Dam. A flottila of U.S. forces had surrounded Blofelds boat in an attempt to corner him and force him into surrender.
When Bond asks Felix for the real merchandise, an extremely sheepish Q is surrounded by customs officers. On the table in front of them is a large wooden leg with shoe and sock on it, open at one end.
FELIX (re: Q): Ask him to do his Long John Silver imitation for you someday. It`s a riot.
Sammy Davis Junior had a cameo in the film. This was cut during post-production:
SAXBY: Hey, I just got a call from Mr Whyte. Understand you haven`t signed your contract yet. What`s the problem?
DAVIS: The money, if you can believe it. Considering your boss is a billionaire, for God`s sake. Do me a favour, Bert. Trundle on up to that penthouse of his and talk to him for me.
SAXBY: You kidding? I run this place for him, and even I haven`t seen Willard Whyte for three years.
Then after Bond has entered the room, Davis says that you could eat off him!
Bond has drinks with Plenty. The waiter presents Bond with a wine. Bond shakes his head sadly in front of an impressed Plenty, and sends it back.
PLENTY: Hey! I didn`t think you could really do that. I bet they charge you for it.
BOND: I thought you were paying.
PLENTY: Well, it was still a very classy thing to do. (suspiciously) Say listen, you aren`t a knight or anything like that are you? I mean-
BOND: A mere commoner, I`m afraid.
PLENTY: (taking his hand) Don`t feel bad. Doesn`t make any difference to me. I`m a Democrat.
The following exchange occurs in bed with Tiffany Case:
TIFFANY: Peter? I think we`ve got a problem.
BOND: You forgot to take your pill.
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TIFFANY: Nothing as trivial as that. (pause) You`re not going to tell me where the diamonds are, are you?
At the tail end of the circus sequence, the gorilla rushes out after the agents:
MAXWELL: Let us through! We`re agents!
GORILLA: Agents? (turns, yells off) Hey, wait! We need an agent!
GOONA (to Gorilla): I guess they didn`t dig the act.
When Bond uses the dart gun to sneak up to see Willard Whyte (and instead finds Blofeld), he mutters to himself, genuinely upset, “So help me, Q, if I fall I`ll kill you.”
After Whyte tells Bond “I`ll have him steam around in circles for you.”
BOND: If you`re ever in London-
WHYTE: After what I`ve seen of the world in the last couple of days? As soon as I get the kitty litter out of my john it`s back to the old-
The tag scene was different in the shooting script:
On board, Kidd and Wint bring the food. Kidd tells Bond that “Monsieur is wanted in the radio room. A telephone call from Mr Willard Whyte.”
Bond tells Tiffany that he won`t be a moment, hands money to Kidd and asks him to keep the dinner warm, will you?
Kidd replies, “But Monsieur does not have to pay us for what we are about to do.”
The Radio Operator tells Bond that somebody must have played a joke on him. “I could live five times over before Willard Whyte called this tub.”
Bond realizes that he`s been had.
Back in the cabin Tiffany is in short nighties, now spreadeagled, tied down to bed, gag in mouth. Hanging above her is the sizzling pot of boiling oil, attached by rope. Wint and Kidd have attached the rope to the handle. They open the door two inches. It tilts – a drop falls. It burns a smoking hole in the pillowcase next to Tiffany`s head.
Bond climbs outside boat, and using a long rope, he lowers himself over the side.
Meanwhile, a maid goes from door to door. Kidd and Wint wait patiently. When Bond – or the maid – comes back and opens the door, Tiffany will be burnt.
Just as the maid is about to open the door, Bond pushes off the side of the ship with his feet and sails through the porthole feet first. He sails in, makes a swipe at the oil pot and rope, misses, lands in a pile at the other side of bed. Kidd locks the maid out just as she`s about to push door open.
The oil pot teeters precariously back and forth.
Bond leaps for the top of the soup toureen, grabs it. Wint yells for Kidd to pull rope. Kidd ranks on rope and the oil pot turns over. Bond passes the upside-down tureen lid over Tiffany`s face, catches the oil, throws it into Wint`s face.
He screams – Bond pushes him hard to one side, impaling him on a sharp point of carved ice Cornucopia, killing him. Kidd has passed skewers through Sterno flame – they are now ablaze. He jumps Bond from rear. Bond twists away, grabs brandy bottle, breaks neck of it on table, and slings brandy at Kidd. Flames shoot up Kidd`s arms – his whole body is on fire. Bond yanks blanket from bed, wraps it around Kidd, smother flames. He picks up the bundle, stuffs it through and out of the porthole, looks down at Tiffany. She`s still bound and gagged, tied to bed, legs spread apart.
daf still a fine listen
I happened to be listening to the Diamonds Are Forever ultra-expanded soundtrack last night, and I must say it is an underrated Bond score.
Everyone gets their own musical theme-Q, Wint and Kidd, Blofeld, Willard Whyte, Burt Saxby, the Bond theme and the 007 theme. John Barry lets loose on his JB Seven and jazz roots, and the Vegas music makes you snap your fingers and listen for Sammy and Sinatra.
Listen especially to the last tracks at the end. There are rich shadings of themes that get more fully developed in Octopussy and A View To A Kill among others…
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…Sorry, but DAF is one of the best Bond films, still!
Greatest Marches Not Included
Bond Weekend 2000 – New Orleans – Bruce Glover
If you are a DAF fan, then you will be delighted to meet and make the acquaintance of Bruce Glover, “Mr. Wint” from Diamonds Are Forever, at the third annual Bond Collectors` Weekend, Bond Weekend 2000.
Bruce Glover is a charming and hilarious fellow who is bringing many anecdotes from his days hanging with Sean Connery (including a funny pickup soccer match with Bruce`s team) and other stars like Jack Nicholson and his fellow co-stars, to the Bond event in New Orleans. The last time we spoke he kept me in stiches for more than an hour and I promised to keep silent for now about some of his star gossip!!
Besides stints as a college football player and soldier, Mr. Glover held a variety of fascinating jobs before being “bitten by the acting bug”. Mr. and Mrs. Glover will also be sharing on their lifelong legacy with America`s nature conservancy movement. Their famous family includes their son, the popular character actor Crispin Glover.
As with Bond Collectors` Weekend 1999 in Las Vegas, the Bond Weekend event provides for each fan wishing to do so guaranteed quality time with the celebs in attendance, (yes, you can actually talk to them at length in a casual setting and do not have to wait on a long line to do so!) and we have different guests for each day/evening of this Friday through Sunday event. Attendees at the Weekend (besides you, dear fan!) include Bond authors and fanzine/web writers, industry insiders and super-collectors who will be showing off their wares.
How can we love a Bond movie like DAF where Bond never fires a traditional gunshot? We just do and we will celebrate the whole legacy in New Orleans, including inside information on Bond 20 and The World Is Not Enough during a Weekend to “Live and Let Die For”!
Registration for Bond Weekend 2000 includes tons of perks and goodies—check it out! Contact us with questions for booking group rates!
Bruce Glover: A selected movie and television filmography
Black Love, White Love (1967)
Bless the Beasts and Children (1971)
Blindfold (1965)
Captain Midnight (1970)
Chaindance (1990)
Chinatown (1974)
Diamonds Are Forever (1971)
Final Chapter – Walking Tall (1977)
Johnny Mnemonic (1995)
Kiss Me, Kill Me (1976)
Little Indian (1973)
Night of the Scarecrow (1995)
Popcorn (1991)
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Stunts (1977)
The Armageddon (1993)
The One Eye Big Score (1983)
The Over-the-Hill Gang (1969)
The Thomas Crown Affair (1968)
This Is the West That Was (1974)
Walking Tall (1973)
Walking Tall Part II (1975)
Some TV Appearances:
B.J. and the Bear
Battlestar Galactica
ChiPs
Gunsmoke
Mission Impossible
Murder, She Wrote
Rat Patrol
T.J. Hooker
The “A-Team”
The Big Valley
The Dukes of Hazzard
The Streets of San Francisco
–Matt Sherman is one host of the annual Bond Collectors` Weekends, and he likes it, even though he slept about three hours during the week of the Las Vegas Weekend because everyone had stories to tell and partying to do!
Keep 007Forever at Cinescape bookmarked for the next year, plus send an eMail to BCW Productions to get on our Bond Weekend mailing list for regular email updates on Bond events and memorabilia, worldwide or call (USA) 352.372.5094 today for more information or to register.
Charles Gray (1928-2000)
LONDON (Reuters) – Charles Gray, the British actor best known for his portrayal of the cat-loving but otherwise villainous Ernst Stavro Blofeld in the James Bond film “Diamonds Are Forever,“ died on Tuesday, his agent said on Wednesday.
Gray, who was 71, specialized in smooth, unsympathetic roles and played Blofeld to perfection. Of the four actors who have played Blofeld, which include Max Von Sydow, Donald Pleasance, Charles Gray and Telly Savalas, only Von Sydow remains alive today.
Blofeld was the head of SPECTRE, the Special Executive for Counter Espionage, Terrorism, Revenge and Extortion, a shadowy private organization which specialized in holding the world to ransom and devising increasingly more intricate ways of trying to kill Bond. Gray also played Dikko Hendeson in the 1967 Bond film “You Only Live Twice”.
They were introduced cialis super active one after the other, and the thing they both have in common is that they have each experienced racism at critical junctures in their employment history which along with other variables resulted in their either remaining among the ranks of America’s long term unemployed; while creating inconsistent work histories. Just because of this pharmacological action, Tadalista is considered a concern, if penetration and successful intercourse has been generic cialis impossible on numerous occasions. Endocrinology treatment in Australia costs very less and the best hospitals in India with some of the most highly skilled doctors in the country. cheap sildenafil All sexually dissatisfied people should sleep well at night, at least for 7 to 8 hours. cialis france Gray, who died in hospital, also starred in “The Mirror Crack`d“ an Agatha Christie adaptation, and the wartime drama “Night of the Generals.“
He also gained a curious type of fame when he provided a voice for actor Jack Hawkins, who had his larynx removed in an operation for throat cancer.
His death follows that of veteran actor Desmond Llewelyn, who played the gadgetry expert known as Q in a series of Bond films. Llewelyn, 85, died shortly after appearing in his last Bond film — “The World is Not Enough.“
Fall Brings New Bond Playthings
Now that the days are getting shorter, the nights longer and the temperatures cooler, Bond fans need new playthings to keep them occupied. October finds Johnny Lightning releasing Wave 2 of their signature James Bond series of racing cars while MGM gives us the final wave of Special Edition James Bond DVDs.
The new series of Johnny Lightning cars include the Corvette from A VIEW TO A KILL, the 1957 Chevy Convertible from DR.NO, the Aston-Martin from GOLDFINGER, the Ford-Mustang from THUNDERBALL and both BMWs from GOLDENEYE and THE WORLD IS NOT ENOUGH. www.fullgrid.com is just one on-line outlet that is selling the JL cars.
Meanwhile…the Special Edition DVD of THE LIVING DAYLIGHTS answers one lingering question: Who was the third solid contender for the role of James Bond in 1986? Michael Wilson mentioned in several interviews at the time that they had narrowed down the list to three: Brosnan and Dalton would seem obvious, so who was the other pick? Wilson refused to elaborate any further, but names thrown around included Finlay Light and Antony Hamilton. Now the documentary that goes into the making of THE LIVING DAYLIGHTS reveals Sam Neill`s test footage. It would seem that Sam Neill was the third contender for the role that Wilson had refused to name. Additionally, Mr. Neill probably gave permission for this test footage to be used, since generally the studios do not own it, but the actual star does.
There you should find detailed information about supplying medications. Erectile dysfunction usually comes 3-5 year before heart attack, so if the your ED is diagnosed then get the complete treatment to prevent heart attack. Along with lasting longer in bed, Musli Strong capsules and Shilajit capsules. Call a friend or hire a cab to drive you home and have nonalcoholic beverages. DIAMONDS ARE FOREVER has five deleted, or “lost” scenes. Included is the infamous “Sammy Davis, Jr. scene” (see THE EYE THAT NEVER SLEEPS for more details on all “lost scenes”), Bond having dinner with Plenty, Plenty returning to Bond`s room after being dumped in the pool (she reads Tiffany`s drivers license to see where she lives, thus answering the age old question of why Plenty ended up in Tiffany`s pool), the correct version of the Mustang on two wheels and an alternate ending of Wint and Kidd killing the dentist with the scorpion. Incidentally, Bruce Glover still owns the scorpion used in that scene. By the way, as it was mentioned among fans at the Bond Collectors Weekend…does anyone wonder if Wint and Kidd ever knew who they were working for? They never crossed paths with Blofeld or anyone associated with him.
Nintendo64 has pushed up the release date on THE WORLD IS NOT ENOUGH to October 17th, possibly to coincide with the release of the 3rd wave of DVDs. The Gameboy, Playstation and Playstation2 versions of THE WORLD IS NOT ENOUGH are all slated to debut in retail and on-line stores throughout November.
–Craig Chenery and Ad2Music assisted with this article.
Diamonds Are Forever
The Hero: James Bond; The Bond Girl: Tiffany Case; The Villain: Jack Spang; Supporting Characters: Shady Tree, Moneypenny, “M”, Felix Leiter, Ernie Cureo, Bill Tanner, Commissioner Vallance; Locations Covered: London, Dakar, New York, Las Vegas; First Published: 1956
Diamonds Are Forever is Ian Fleming`s fourth Bond novel. Following on the heels of the excellent thrillers Casino Royale, Live And Let Die, and Moonraker, it was natural for Ian Fleming to be due for a fall. With Diamonds, that fall takes place.
It`s not a bad book. It`s just not particularly great either. It lacks a lot of the elements that made the first three novels so interesting. First, it lacks any real atmosphere. There seems to be no, for lack of a better word, aura, or feel that you get from the novel. Also, there was a lack of decidedly good villians in this book, and there was`nt much action until about page 142.
Another problem with `Diamonds` is that the plot isn`t really all that engaging. It concerns itself with England losing 2 million pounds per year in smuggled gems, but that`s about it. No other nefarious purposes are used for the diamonds except to get rich.
On the plus side, Tiffany Case makes for a much better Bond girl, than say Solitaire, from Live and Let Die. Tiffany is intregal to the case, and actually shows up quite often in the book. She gets some excellent dialogue and her interplay and relationship with Bond was very convincing. Tiffany led a rough life, being gang raped by hoods when she was 16. Fleming writes Tiffany pretty well. Her tragic past is her confusing present, as she tends to have a drinking problem to hide all her pain. She`s been in with the wrong crowd since the day she was born, and her vulnerability makes her more endearing to 007.
There`s also the duo of Wint and Kidd, two ruthless killers from Detroit hired to do the Spangled gangs dirty work.
The book has some good and funny moments.
Tiffany on where Bond intends to hide the diamonds he`s about to smuggle:
She changed the subject. “Got a wooden leg? False teeth?”
“No. Everything`s real.”
She frowned. “I keep telling them to find me a man with a wooden leg.”
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Tiffany on how ruthless this mob is that Bond`s going into deep cover with:
“If I were you, i`d think a long time before joining our little group.Don`t go and get in wrong with the mob. If you`re planning anything cosy you`d better start taking harp lessons.”
Ernie Cureo on Mr. Spang`s wealth:
“That guy`s so loaded, he don`t wear glasses when he drives. Has the windshields of his Cadillacs ground to his prescription.”
The book also has some rich and deep dialogue between Tiffany and Bond. On the subject of marriage:
Bond: “Most marriages don`t add two people together. They subtract one from the other.”
Tiffany: “But it depends what you want it to add up to. Something human or somthing inhuman. You can`t be complete by yourself.”
The plot is slowgoing, and at times confusing. A lot of material is covered on diamonds and gambling procedures. It`s not really spelled out in laymans terms, so it`s hard to follow. At least for me it was.
There is no real action until about page 142, and then it becomes almost nonstop. Bond gets into a carchase, a fist fight, is tortured with football cleats, lights a fire, derails a train, swings over the side of a cruise ship and blows a helicopter out of the sky. The chapter “Night falls in the passion pit” is really when the book begins to hit it`s stride. Unfortunately, that`s about two thirds of the way in. Fleming wrote Tiffany so well, he had me scared that he was going to kill her off by the end of the book. It`s interesting though, in that if you know a little about the book series already, you get the feeling that Tiffany foreshadowed a much greater tragedy to occur in Bond`s life down the road.
Craps He`s Played, Just Once
Craps are played with two six sided dice. The player rolling the dice stands at one end of the table and must throw the dice so they bounce off the other edge of the table. There are usually three or more casino employees at a craps table, keeping track of the numerous bets that can be placed by as many players as can reach the table.
If the player rolling the dice, the shooter, gets a 7 or11 (a natural), on the first roll, he wins automatically. If the gets a 2, 3 or 12 (craps), he loses, Any other number that is rolled is called the “point”; if the shooter rolls this number a second time before rolling a 7, he wins, but if a 7 is rolled before the number, the shooter loses. The shooter continues to throw the dice until he loses on a 7, at which time the dice are passed to the player on his left. The shooter can bet against himself if he wishes.
The craps table is divided into a number of areas where bets are placed (see the diagram at the bottom of this section). Chip A is placed on the “Pass Line” on the table. in this case, the player making this bet thinks the shooter will either get a 7 or 11 or make his point; if the shooter wins, the bettor is paid even money. Chip B is in the “Don`t Pass” box; the player betting assumes the shooter will either get craps (except on a 12, which is a stand off and nobody wins) or not make his point.
Chip C is in the “Come” area. This bet is placed after the shooter has his “point” to make. If the shooter gets a 7 or 11, the bettor wins; on a craps result, the bettor loses. Also, if another number is rolled, the bettor has a “come point” and he will win if the shooter hits this point before rolling a 7. The “Don`t Come” area is played just the opposite; the bettor wins on a craps result and loses on a 7 or 11, or he wins if the shooter gets a 7 before hitting the “come point.”. Both these bets win even money.
A “Field” bet is made on one roll of the dice. If the dice result is a 3, 4, 9, 10, or 11, the bettor wins at even money, and if the result is a 2 or 12 the bettor is paid off double. The bettor loses on a result of 5, 6, 7, or 8 (the points that are most likely to be rolled). Chip D is in the “Big 6/8” box; and the bettor wins even money on a 6 or 8 and loses on a 7.
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A bettor can choose to get number the “Hard Way”. If the bettor thinks that two 2`s or two 5`s will be rolled and bets on this, he wins at 7 to 1 (he loses if a 7 is rolled or if his number bet comes up in another combination). Likewise, the player can bid on double 3`s or double 4`s at 9 to 1 odds.
There are a number of other one roll bets. Chip E is in the “7” box, and the bet wins if the next roll is a 7 (payoff is 4 to 1). Other boxes are provided for “11” (paying off 15 to 1), “3 Craps” (paying off 15 to 1 that the next roll will be 3), “2 Craps” (paying off 30 to 1 on a roll of 2), “12 Craps” (also paying off 30 to 1 on a roll of 12) and “Any Craps” (paying off 7 to 1 on a roll of 2, 3, or 12). The bettor loses on any of these bets if the dice result is a number other than the one(s) he bet.
A bettor can also play “The Odds”. After a “point” or “come point” is made, a bettor can go for the Odds, betting that the specific point will be rolled before a 7 is rolled. The payoff is 2 to 1 if the point is 4 or 10; 3 to 2 if the point is 9 or 5; and 6 to 5 if the point is 6 or 8. A bettor can also play against the “point” or “come point”; payoff is 1 to 2 on a point of 4 or 10, 2 to 3 on a 5 or 9 point, and 6 to 5 on a 6 or 8 point. A bettor can withdraw an Odds bet before the dice are thrown.
Also, a bettor can make “Place Bets” by putting chips on the numbers 4, 5, 6, 8, 9, or 10.The shooter must hit one of these numbers before rolling a 7 for the bettor to win. (any other result is a stand off). The bets are paid off at 9 to 5 for a 4 an d10, at 7 to 5 for a 5 and 9, and at 7 to 6 for a 6 and 8.
Blackjack or “Vingt-et-un”
This game is also known as “Twenty One” and, in Europe, as “Vingt-et-un”. The house dealer asks for bets and then gives out one card face up to each player plus one for himself. Then he deals a second card face up to the players and himself. (Note that the dealing of cards face up or down varies from casino to casino) The object of the game is to reach 21 or come as close as possible without going over. The players can elect to take extra cards to get closer to 21.
An Ace in this game is worth either 1 or 11 (at the players choice); face cards (Jacks, Queens, and Kings) are worth 10; and the other cards are worth their face value. Thus, a combination of an Ace and a 10 equals 21 (this is called a “natural” blackjack and automatically wins, unless the dealer also has a natural blackjack in which case the player neither wins nor loses his bet).
If a player`s first two cards equal less than 21, he may continue to have the dealer give him extra cards (“hits”) one at a time until he elects to stand or goes over 21 (in which case he automatically loses). After all players have taken their extra cards, the dealer must give himself an extra card if his first two cards total 16 or less and he must stand if his total is 17 or more.
Any player who has a natural blackjack wins at the rate of 3 to 2 (unless the dealer also has a natural blackjack, in which case there is a tie). Any player whose card total is higher than the dealer`s wins at even odds. Any player who ties the dealer`s card total is in a tie and neither wins nor loses his bet. All hands that are less than the dealer`s total or that go over 21 lose.
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There are some limitations on Split Pairs. If Aces are split, the player receives only one card on each Ace. Also, if a player has an Ace and a 10 or picture card with a split pair, he does not have a “natural” blackjack` instead, the cards are worth 21 and if he wins, the payoff is at even money. These variations in Split Pairs differ from casino to casino.
A second variation is Double Down. When a player`s first two cards equal 9, 10, or 11, he can double his bet. In this case, he receives only one more card (the exception being that if his first total is 9 and he draws a 2, he can be given one more card).
A player may also place an Insurance bet if the dealer drew an Ace on his first card. Before anyone receives a second card, a player may bet up to half his original bet that the deal will get a natural blackjack with his second card. If the dealer does indeed get a natural blackjack, the player is paid off at 2 to 1; if the dealer does not make a natural blackjack, the player loses his Insurance bet.
Diamonds Are Forever Conversion
Tiffany Case made it to the film. Jill St. John captured a lot of Tiffany`s attitude in the film without having to explain what caused her to be so cold towards men. The Spang Brothers gang of crime was replaced by Morton Slumber and his dense goons.
Shady Tree went from being a New York mobster in the book to a lounge act in the film. Some forms of subliminal messages include: 1) Texts or graphical messages displayed in front of the classroom about the importance of doing well on your SAT. The pills help have good intimacy with your cialis generic online partner. Premature Ejeculation :- Are you starting to lose confidence in your on line cialis discover content ability to satisfy your female. RECOMMDATION: It is advised to take one sachet of tadalafil best price holds a perfect consistently estimation of 20 mg tadalafil. Wint and Kidd were faceless killers right up until the end of the book. They wore masks, were from Detroit and were more vicious in the book than in the film, though they were still lovers in the film. Felix Leiter made both the book and the film, though in the book he was working on the same case as Bond, but from a different angle.
John Gavin As James Bond?
In 1970 Cubby Broccoli and Harry Saltzman found themselves with the daunting task of having to re-cast the role of 007 yet again. Lazenby had made it clear he wasn`t coming back and Connery`s antipathy towards the role was well known by this time. After numerous screen tests of lesser-known actors, Broccoli and Saltzman agreed upon one promising man: John Gavin.
Gavin was a former American naval intelligence officer whose film resume included work with Alfred Hitchcock (Psycho) and Stanley Kubrick (Spartacus), as well as a role in the French/Italian knockoff thriller OSS 117 DOUBLE AGENT (1967), where he co-starred alongside future Bond villain Curt Jurgens. After a successful screen test, Gavin was given a holding contract.
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With one Bond waiting in the wings, United Artists executive David Picker made a personal, last-ditch effort to get Connery back by making an offer too good to resist. Connery accepted the offer and Gavin, though he never got the role, was paid $50,000.00 to compensate him for his trouble.