I thoroughly enjoyed John Glen’s new autobiography. Glen jumps into the action as fast any Bond thriller on the big screen. His work on eight of the EON Bond flicks takes up the bulk of this fascinating new book.
Within the first few paragraphs the reader is plunged onto the icy mountains of Baffin Island where Glen is preparing second unit duties on his second Bond, 1977’s The Spy Who Loved Me. The incredible teaser stunt, which most Bond fans are familiar with and which is by many considered the best Bond stunt ever, is explored in depth. Bedding down in the icy cold, John Glen writes of Willy Bogner’s legitimate fear at the deadly stunt but bravery in going when needed in one thrilling take from thousands of feet above icy rocks. I learned plenty here, including Glen’s being at risk of freezing himself into a popsicle on location, more than once! You may never view the opener of TSWLM the same way again.
Things were different in the movie industry in recent years, especially in the area of safety for principal personnel, and Glen explains how he risked physical danger or death quite a number of times on his Bonds, between the late 1960’s and late ‘80s. Even Roger Moore assured his safety on one Octopussy shoot working under a moving train by insisting that Glen accompany him on the tracks beneath the moving behemoth-his way of ensuring Glen himself felt the stunt was truly a safe one!
The chapter describing second unit work for On Her Majesty’s Secret Service is impressive and a treat for OHMSS fans overall, including yet one more perspective on how George Lazenby must have felt trying to fill Scotland’s largest shoes. Glen apparently was as much a hero of the film as lead director Peter Hunt, and his was much of the creative genius behind the bobsled fight and ski sequences. DVD fans may seem some of the same extra material covered again in Glen’s book, especially the information on License To Kill, but For My Eyes Only is overall a gritty triumph about a hardworking man who waited 30 years to break into lead directing with For Your Eyes Only.
A sad footnote is that Glen’s LTK tested higher than any previous Bond film with test audiences, but was demolished between Indiana Jones and The Last Crusade and Batman, to name just two 1989 summer blockbusters. Underscored throughout the book is the essential nature of the director to any Bond film, from Terence Young and Dr. No to Michael Apted and The World Is Not Enough, the director gets huge leeway regarding casting, script development, exotic locations and stunt choices, to name a few.
Glen’s view from the top explores in some detail how Cubby and Barbara Broccoli, Michael Wilson and the screenwriters thought, plotted and risked hunches and millions on the casting and scripting of the greatest film series in history. Lacking is any moving in-depth background on Glen himself, however. Two marriages are treated almost as footnotes in the book. Glen eventually brought his wife on location with him, but apparently spent nearly five decades “late at the office”.
The book and jacket design lean heavily on the James Bond image and EON 007 logo. I found it bizarre that the designer did not clean up the famous image cropped in close up of George Lazenby in front of “Big Ben,” for example, but left “overhangs” atop of the heads of both Lazenby and Dalton on the front cover. My copy also had ink dropped out on certain pages, lightening some of the photo captions almost beyond recognition. The jacket and book design are still pleasing to the eye, however. This book was certainly aimed at the interested 007 fan. Many pleasant stills are included of action, cast and crew. Some never-before seen photos are included among them. Further insights are also given into Cubby Broccoli’s generosity and a humorous foreword is included by Roger Moore, CBE.
–For My Eyes Only is published in hardback and is available now from various sources including Dave Worral’s Collectors’ Club.