These are the chaps who should be playing my next birthday party.
While Alicia Keys and Jack White have recently been tapped (ostensibly) to attempt to out-Bond David Arnold and Chris Cornell with a new Bond title track for Quantum of Solace (not bloody likely IMHO), this new track is intriguing and does include references to our man by name and number both.
Quantum of Solace Track – The Best – Rasta Baby.mp3
I have e-mailed a note in to Baby Rasta for more comment. One thing remains–Bond is the best.
I am excited to have had a sneak peek at book excerpts and can promise you a wild ride with Vic, 007, and all his pals! Flick worked on a dozen Bond soundtracks with John Barry, providing hours of Bond’s biggest hits, besides accompanying a who’s who of American and British music for decades.
This one is a must have for collectors and fans.
This Tuesday, Aug. 19, “Dave White Presents will debut on online radio station, KSAV. This brand-new program, covering all aspects of entertainment in surprising interviews and discussions, will air every other Tuesday at 11:00 p.m. EST—8:00 out there on the West Coast.
For Dave’s inaugural outing, one special guest will be Bond veteran Vic Flick who’ll talk about his days as session player during the “Swinging ‘60s” and what readers can find in his just published memoir from Bear Manor Media. To hear the show live, check out—
Then, on Wednesday, Aug. 20, “Dave White Presents” will be archived at—
“…Approaching an amazing 50 years since it was laid down in a blank studio, Vic Flick’s work on the James Bond Signature Theme has lost none of its timeless charm. And neither has Vic!
In a business where everyone has stories of being cheated, of players who are more talk than action, with broken promises strung together often but pearls hardly ever, Vic Flick is a fine old English gentleman and a sensitive, powerful guitarist (with the energy of a teenager) who always holds great intimacy with his audience.
I could tell a dozen stories of how wonderful Vic is to friends, family and fans but one remembrance will do for now. Vic was kind enough to bring the Clifford Essex Paragon he used to record the James Bond Signature Theme (now safely ensconced in The Rock and Roll Hall of Fame in Cleveland, Ohio) to a convention I was hosting for James Bond fans in New Orleans.
I asked for volunteer help to quickly transport the guitar, easily worth six figures, to safety following our show. I later found pal Craig Marciniak still standing in our exhibit hall, Essex in hand, Vic at his side. I silently raised an eyebrow, forming a question.
Craig said, “Vic is helping me learn to play the Bond theme,” and I sort of giggled before Marciniak, whom I didn’t know could play a G Chord or pick a single note, rattled off Vic’s famous riff in rather high style. Craig smiled and said, “Vic Flick is why I learned how to play the guitar when I was a kid.”
I can never figure what aspect of that moment was the most poignant—that Craig was meeting in person this very gracious man who was his childhood hero, that Vic was once again patiently teaching styling on a song heard by half the world, a song he’s heard a thousand times and had covered by artists a hundred times, that Vic let someone even touch his personal guitar (Did Michelangelo share brushes? Did Frank Lloyd Wright let out Fallingwater for the weekend?) or that this moment was just one of many, all of them magnificent memories Vic Flick and his dear spouse Judy have provided for fans over the years.
Vic is at one and the same time a music fan’s buddy, ready to lift a glass with you in a pub or tell you the funniest story you’ve ever heard, and our kind link to John Barry, Burt Bacharach, Herman’s Hermits, Tom Jones, Henry Mancini, Jimmy Page, Cliff Richard, Diana Ross, Nancy Sinatra and countless more legendary artists.
Vic’s license is to thrill, whether it is a thrummed spy tune or simply a pop or rock classic that he’s worked and then tinkered on and re-envisioned for decades. I get chills hearing him finesse a tune with fingers that sounded around the music world in one of its greatest eras, and then improved and improved beyond greatness. Vic’s guitar weaves an ever precious tapestry and I have seen fans weep as his guitar gently does so and more. And he can rock, too!
Vic Flick is a composer, creator, innovator, studio legend and for those lucky to know him, a warm, considerate friend…”
—Besides writing about pool and billiards at Billiards.About.com, Matt Sherman hosts the “Bond Collectors’ Weekends”, events drawing celebrities and fans from around the globe to talk and live James Bond, 007.
…I have no wish to be further involved with Monty Norman’s litigious career on the now sordid subject of who wrote the James Bond Theme…I am not privy to whatever negotiations may have led to that statement. If Mr. Norman wants even more, then I suggest you tell him to go squeeze the nearest rock.
Yours faithfully, Victor Flick”
Vic Flick, Guitarman: From James Bond to the Beatles and Beyond is a good read. Follow as Bond Signature Theme Guitarist Vic Flick battles broken amps, broken hearts and crazy singers as he backs John Barry (“We got there and the castle’s owner, a Count DeQuela, met us and fussed around making sure we were comfortable in our suites”), Burt Bacharach (“…always a seeker of perfection in the studio…”), Dusty Springfield, Shirley Bassey (“Oh, but I did find her difficult to work with. She always had something to say about how the song should go, but never seemed to think it was the right time for her to sing…”) and countless more Bond and other luminaries. Whether it was “a cuppa” with Lennon and McCartney or strumming the Bond theme with Eric Clapton, Flick was there!
“Bond walked over to the gramophone and picked up the record. It was George Feyer with rhythm accompaniment. He looked at the number and memorized it. It was Vox 500. He examined the other side and, skipping La Vie en Rose because it had memories for him, put the needle down at the beginning of Avril an Portugal…” – Diamonds Are Forever
CHAPTER 14 – ‘LA VIE EN ROSE?’
The entrance to the Roi Galant was a seven-foot golden picture-frame which had once, perhaps, enclosed the vast portrait of a noble European. It was in a discreet corner of the ‘kitchen’ – the public roulette and boule room, where several tables were still busy. As Bond took Vesper’s arm and led her over the gilded step, he fought back a hankering to borrow some money from the caisse and plaster maximums over the nearest table… In the far corner, a trio, consisting of a piano, an electric guitar and drums, was playing ‘La Vie en Rose’ with muted sweetness.” – Casino Royale
Here is Edith Piaf’s version with words. The tune is considered a French standard that exemplifies the nation like America’s Stars and Stripes Forever.