Alan Rickman, of Die Hard fame, originally tested as James Bond in 1993, and by 1994, was reportedly offered the role of Alec Trevelyan. He was ready to do it, but changed his mind at the thought of being typecast as a megalomaniac, (Die Hard, Robin Hood: Prince of Thieves) The role eventually went to Sean Bean, who in turn also screen tested a few times for the role of Bond.
Recently, the smartphone game James Bond: World of Espionage was taken down. The servers closed and players, including the author, lost their game progress. I played the game often and would like to put down some thoughts for future Bond gaming.
- James Bond WOE did receive careful thought. The game was better than most pundits wrote. The graphics and music were top notch and looked and felt splendid on phones. The game dropped with the then-new Bond movie, Spectre, and game characters included not only the flight of Spectre folks but characters from the original Ian Fleming novels!
- A slightly different game engine would have worked wonders. If JBWOE used the engine from Star Wars: Galaxy of Heroes, a similar card matching fighting game, people would still be playing it now. SWGOH uses more complex thinking about character building and promotion, strategy and tactics. JBWOE fell into routines more often.
- Better daily rewards would have encouraged more gameplay. I toughed it out some with JBWOE and the free play rewards were stinting.
- More 007, 007! It was costly and difficult to acquire James Bond as a character. Multiple Bonds, Ms and Qs in their different iterations would have been fun.
- The critics didn’t dig deep. Critics have the game helped kill it. The reviews came so quickly I knew the critics didn’t play the game for any length of time. A few days of avid play brought players into guilds where there was great conversation and group strategy and tactics. I’m not an avid smartphone gamer but I liked JBWOE and it gave a fix of 007’s world after Spectre left theatres.
80`s punk band Blondie submitted a theme song for `For Your Eyes Only`. When the producers weren`t satisfied with the song and asked Blondie to record it again, they declined, so Sheena Easton recorded another version of the song. They put it on their album `The Hunter`. The lyrics are listed below.
FOR YOUR EYES ONLY – (Harry/Stein)
Don`t look over my shoulder I`m trying to read
Remember these intimate moments; don`t forget my privacy
We both have our orders and a trick up the sleeve
There`s no use pretending you`re asleep
The subject was roses quine geology
Deliberate notice you`re taking of me
Caution and danger are not family
Don`t try turning the tables on me!
Too long and too lonely
For your eyes only secretly
Enjoy the paradox: you thinking I`m the fox
Can`t ya see you personally?
So many people know who you are
and they know you`ve been looking for your counterpart
We`re chasing an echo in sonic 3-D
and if I laugh without joking make believe
Too long and too lonely
For your eyes only totally
I like what you`re showing
For your eyes only secretly
For your eyes only
1962: Richard Johnson, Patrick McGoohan, Roger Moore, William Franklyn, Patrick Allen, Ian Hendry, Richard Burton
1967: (Casino Royale) Laurence Harvey, William Holden, Peter O`Toole, Stanley Baker
1968: Robert Campbell, Anthony Rogers, Hans De Vries, John Richardson, Roy Thinnes, Adam West (finally confirmed by Dana Broccoli on the DIAMONDS ARE FOREVER Special Edition DVD)
1971: John Gavin, Simon Oates, John Ronane, Mike McStay, Michael Billington
1978: David Warbeck, Oliver Tobias, Gordon Williams, Michael Billington, Gary Myers, Michael Petrovitch
1980: Lewis Collins, David Warbeck, Michael Billington, David Robb,Michael Jayston, Ian Ogilvy, Nicholas Clay
1982: James Brolin, Dave Warbeck
1984: Lewis Collins, Anthony Andrews
1986: Pierce Brosnan, Lewis Collins, Lambert Wilson, Sam Neill, Finlay Light, Andrew Clarke, Oliver Tobias, Simon McCorkindale, John James, Mel Gibson, Michael Praed, Mark Greenstreet, Neil Dickson, Anthony Andrews, Bryan Brown, Steve Adler, Ben Cross, Charles Dance, Tom Selleck, Michael Nader, Marcus Gilbert
1984: (McClory`s SPECTRE) Lewis Collins, Sam Neill
1989: (McClory`s Warhead 1989) Pierce Brosnan, Lewis Collins, Christian Burgess, Jason Connery
1994: Clive owen, Jeremy Northam, Greg Wise, Colin Wells, Ralph Fiennes, Mark Frankel, Jason Isaacs, Sean Bean, James Purefoy, Nathaniel Parker, Adrian Paul,Hugh Grant,
1999: (Warhead) Liam Neeson, George Clooney.
1999: EON (Ioan Grofudd, Jonathan Cake, Linus Roache, Paul McGann).
See viable Bond candidates on our Almost Acted and Sung posts under “almost Bond”.
|Sir Michael Gambon is a well respected star of stage and screen who has worked under the Artistic Directorship of Sir Laurence Olivier. and is considered to be one of the British theatre`s “leading lights”. In an interview recorded on 7/11/2000, Sir Michael Gambon revealed that he had tested for the role of 007 in 1970.
Here is his account: “I had coffee and bagels in this house in Mayfair, then I had a nice chat with Cubby. He asked me to do various scenes and after each one he said `be more romantic`, `be more assertive` or whatever.
Eventually I said: “Y`know Cubby, it would help if I knew which part I was auditioning for”. Cubby looked aghast and said “Bond of course”. (gasps of disbelief from audience) I couldn`t believe it. It was ridiculous.
“But Cubby I`m bald!” “Doesn`t matter, so was Sean. We`ll just slap a wig on you”. “But Cubby, I`ve got terrible teeth! My teeth are like a horses.” “Doesn`t matter. We`ll take you to Harley Street…you`ll have a perfect smile by Friday”. “But Cubby, I`m in terrible shape. I`ve got tits like a woman!” “Doesn`t matter. So had Sean. We used to wrap him in ice packs before every love scene.”
Anyway Cubby talked for a while and eventually I was completely convinced that I had the part. I went bounding downstairs only to find 19 other actors there to audition as well.”
Eventually Sir Michael revealed that Cubby`s first choice for the role was Patrick Mower, a young British actor. Patrick was 6`0″ with black hair and blue eyes. Unfortunately after what Sir Michael described as “the George Lazenby fiasco”, UA were opposed to hiring an unknown and went with John Gavin who was eventually replaced when Connery returned. Patrick Mower went on to huge success in Britain in the 70`s. He starred in several horror films (including the classic THE DEVIL RIDES OUT) where his suave yet sinister air was put to good use. When ITV had huge success with the tv series THE PROFESSIONALS, the BBC responded with TARGET which starred Mower as Steve Hackett of the Regional Crime Squad and his sidekick played by Jeremy Bulloch (Boba Fett).The series was a huge hit but was cancelled after 2 seasons when the BBC were criticised for its graphic depiction of violence.
Mower worked extensively and was recently starring as suave superspy Jason Dane in CI5:THE NEW PROFESSIONALS. He currently has a starring role in the British prime time soap EMMERDALE. I had the pleasure of seeing Patrick Mower on stage in WHO KILLED AGATHA CHRISTIE. Ironically his co-star was Lewis Collins who was also a frontrunner for Bond and is alleged to have been offered the role in AVTAK when Moore`s pay disputes appeared to have ground to a halt. Both men gave excellent performances and it is fascinating to note how the two stars reflected the direction that the Bond filmes were moving in: the dashing and urbane Mower was a sophisticated actor who would have been in the mould of The Saint and the witty 70`s movies while Collins was a tough brooding actor with a dry wit, which is surely similar to the Bond of the late 80`s.
As James Harris exclusively revealed a while ago at 007Forever….The Friday, June 22nd, 2001 edition of The Mirror reveals that he (Patrick Mower) lost out on the chance to play Bond 5 times:
Pat’s comment: “…now we live in Lincolnshire where Anya keeps her horses. I have quite a lot of land, a tennis court, a snooker room and a river. To be honest I lead a pretty idyllic life. So bugger Bond.
John Frankenheimer, the director of such films as `Reindeer Games`, `The Manchurian Candidate` and `Ronin` has his own connection to the Bond world. He spoke with Oregon-based journalist Shawn Levy on a promotional tour for `Reindeer Games` and the subject of 007 came up.
SL: Here`s a crazy thought. Back in the `60s, were you ever approached to do a Bond movie?
JF: You know what? I was offered the role of James Bond in 1962. I was at a nightclub in London, and (Bond producer) Cubby Broccoli saw me. And I looked just like what Ian Fleming had written, and he asked me would I do it? And I turned him down. But I wouldn`t direct one. Those action sequences are bigger than life, and I don`t do action sequences that are bigger than life. You have to sublimate yourself to the style of the movie, and I can`t do that.
Ironically, his 1976 film BLACK SUNDAY appears to have inspired Michael G. Wilson and Richard Maibaum when writing LICENSE TO KILL. BLACK SUNDAY ends with Robert Shaw being lowered from a helicopter onto a blimp that is being piloted by terrorists. Shaw hooks the blimp to a cargo line and the blimp is pulled up and away from a stadium packed with Super Bowl attendees. In LICENSE TO KILL, Bond is lowered onto the back of a light airplane piloted by a drug czar, where he then hooks the plane to a fishing cable and the plane is pulled up and away to be reeled in like a fish.
In 1970 Cubby Broccoli and Harry Saltzman found themselves with the daunting task of having to re-cast the role of 007 yet again. Lazenby had made it clear he wasn`t coming back and Connery`s antipathy towards the role was well known by this time. After numerous screen tests of lesser-known actors, Broccoli and Saltzman agreed upon one promising man: John Gavin.
Gavin was a former American naval intelligence officer whose film resume included work with Alfred Hitchcock (Psycho) and Stanley Kubrick (Spartacus), as well as a role in the French/Italian knockoff thriller OSS 117 DOUBLE AGENT (1967), where he co-starred alongside future Bond villain Curt Jurgens. After a successful screen test, Gavin was given a holding contract.
With one Bond waiting in the wings, United Artists executive David Picker made a personal, last-ditch effort to get Connery back by making an offer too good to resist. Connery accepted the offer and Gavin, though he never got the role, was paid $50,000.00 to compensate him for his trouble.
Tom Selleck was one star name casually thrown about for the “new 007”. How serious he was looked at is unknown. He was originally approached for the role of Indiana Jones in RAIDERS OF THE LOST ARK but could not take the role because of his commitment to MAGNUM P.I.
People who would discount Selleck as a legitimate contender because he is American need to remember that James Brolin was screen tested opposite Maud Adams for Octopussy before Roger Moore finally settled his contract dispute and played the role for the sixth time.
Bowie was the strongest contender at the time to play the villain Max Zorin in A VIEW TO A KILL. He reportedly declined the role on the basis that he didn`t care for the script. Bowie told Rolling Stone Magazine: “I think for an actor, it`s probably an interesting thing to do, but for somebody from rock, it`s more of a clown performance. And I didn`t want to spend five months watching my double fall off mountains.” And yet he inexplicably went on to torture Jennifer Connolly and audiences as the villain in the 1986 fantasy flick LABRYINTH.
World rocker “Sting” was another shock-blonde rock star/actor who was in contention for the role of Zorin. He was one of the few people to emerge from the 1984 fiasco called DUNE relatively unscathed. It may have been upon the basis of that performance that he was approached to play Zorin, but whatever the reasons that led up to it were, he flatly turned it down. He did, however, make amends to his fans as well as Bond fans who would have loved to seem him play Zorin by playing another villain of sorts in BULLETS AREN`T CHEAP. In this 1991 Saturday Night Live spoof/sketch, which is still fondly recalled by Bond fans to this day, Sting played the villainous “Goldsting”, who dresses like Blofeld and has a pet rabitt that he dotes on. In the sketch, Bond is played by Steve Martin and is shown to be quite thrifty when it`s his own money at stake. Bond shows up at Goldsting`s casino because the “beer and pretzels are complimentary.”
The star of LadyHawke and other assorted films confirmed to the press back in 1983 he`d been asked three times to play a Bond villain, but he didn`t specify which role(s). With his blond hair perhaps he was asked to play Erich Kriegler or Max Zorin?
Hauer said: “I heard those rumors, too (that he was in consideration to play James Bond). I don`t know about James Bond, but they asked me three times to play Bond`s bad guy. At one point, I said I think it would be interesting if you really threaten Bond and what is the way to do that? Have a bad guy who has the same spirit, the same sense of humor and the same skill and let Bond face this guy and really be endangered. But the villains are sidekicks, they aren`t really strong. They wouldn`t change it for me.” Ironically, the same type villain he describes would come along some 12 years later in the form of Alec Trevelyan in the 1995 film GoldenEye.
When it comes down to casting, it`s often a matter of who is available that makes the difference in getting a job. For Priscilla Presley, it made all the difference. In 1984 she was starring on the hit CBS-Television show DALLAS as Jenna Wade, but she also had an avid interest in moving her career to the big screen. Then, reportedly, EON came calling.
They were looking to cast the role of Stacy Sutton and were looking at several actresses. Presley may have had the inside track, but according to one New York based journalist who spoke to 007Forever, Presley was not interested in playing the role and the search to fill the role continued elsewhere.
From the Thursday, August 26th, 1982 edition of The Daily Star (reprinted with permission): Tough guy Lewis Collins is a wanted man – film fans are clamouring for him to play secret agent James Bond on the big screen. But Lewis fears he will never land the plum 007 role. He reckons the man behind the money-spinning Bond movies -Albert “Cubby” Broccoli – doesn`t like him. And that means his chances are extremely remote “unless we get together and smoke a pipe of peace.”
Lewis, who stars as an undercover SAS officer in the blockbuster movie `Who Dares Wins`, believes he fits the Bond bill. And he isn`t the only one! He was voted tops to take over as Bond in a newspaper poll, but he says: “No one from the Bond stable has approached me so they obviously don`t want me.”
Lewis certainly has the right pedigree for the job. The man who made his name as THE television toughie – Bodie of The Professionals – has already signed for a 25 million pound programme of three films with top action producer Euan Lloyd. It has been suggested that these films, which include Wild Geese 2 and Battle of the South Atlantic – based on the Falklands campaign – could net Collins a cool million pounds. But it is Bond that really captures his imagination. “It would be nice to get back to the original Bond, not the character created by Sean Connery – but the one from the books,” he says. “He is not over-handsome, overtall. He is about my age (Collins is 36) and has got my attitudes.”
The trouble with Lewis`s ideas is that big wheel Cubby doesn`t like them. Lewis revealed that he went to see Cubby two years ago. “I was in his office for five minutes, but it was really over for me in seconds. I have heard since that he doesn`t like me. That is unfair. He is expecting another Connery to walk through the door and there are few of them around. I think he has really shut the door on me. He found me too aggressive. I knew it all – that kind of attitude. Two or three years ago that would be the case, purely because I was nervous and defensive. I felt they were playing the producer bit with fat cigars. When someone walks into their office for the most popular film job in the worlds, a little actor is bound to put on a few airs. If Cubby couldn`t see I was being self-protective I don`t have faith in his judgement. Euan saw through that. You have three minutes to sell yourself but if you go on that line you fail. You have to be yourself – and you have a better chance if you are the right person.” “I didn`t have that confidence then. I am just acquiring it now. The number of people who have suggested me as a candidate amazes me – and Cubby hasn`t given me another shot. I would even screen test and all that.”
One name you probably haven`t heard too much of in connection to the auditions for the role of Stacy Sutton is Debra Sue Maffett. Her name is one of the more obscure ones in the history of Bond casting. Her website lists her credits as: Host of The Nashville Network`s Country News The syndicated news/magazine show Hot, Hip, & Country, A singer with a CD called Die Trying. A producer of a pilot show titled Real Life Angel Stories.
She was a former Miss Beaumont University, Miss California and reigned as Miss America 1983. After her reign, Maffett continued to reside in California where she embarked on a successful television career that included an Emmy nominated stint as hostess for PM Magazine in Los Angeles and television appearances on Matlock, The Tonight Show with Johnny Carson, David Letterman, Good Morning America, Bob Hope`s Specials and Hollywood Squares. In between all of this she found time to audition for the role of Stacy Sutton.
How seriously was she taken? Hard to tell. But to hear her tell it, the choice had come down to herself and Tanya Roberts. She told Cathy Dunphy, in her column for STARWEEK (the Toronto Star tv guide) “The only reason they chose Tanya over me is because Tanya has acted before and they couldn`t wait to see Prisoners.” PRISONERS OF THE SEA was a film she had just finished or was about to wrap up, but it couldn`t wrap up soon enough for Cubby Broccoli. Anxious to get the project moving along, he cast Roberts. Cathy Dunphy`s article appeared in the August 11th to August 18th, 1984 issue.
Our latest event was a smash hit! See more in this intriguing video.
Following Sean Connery’s return to British intelligence in Diamonds Are Forever (1971), Roger Moore is the new Bond, James Bond in Live and Let Die. Note to trivia buffs: this is film number eight based on Ian Fleming’s second Bond novel and Moore is the third James Bond–following Connery, George Lazenby, and Connery again.
The man who once essayed the title role in the tv series based on Leslie Charteris’ The Saint books imbues agent 007 with a lighter touch than Connery. Moore brings a charm to the role and shows more ease in his first Bond outing than Lazenby displayed in On Her Majesty’s Secret Service (1969).
When Moore is first seen (following the pre-credit sequence), he is at home in the company of a gorgeous woman. The tryst is interrupted by the early morning arrival of Bond’s boss M (Bernard Lee) and his secretary Miss Moneypenny (Lois Maxwell). They send 007 on his way to New York for his mission. One which will involve voodoo, heroin, and a lovely fortune teller named Solitaire (Jane Seymour).
It has been noted that the producers were hoping Connery would return to the series–and not for his 1971 mission. One can only imagine how certain moments of the film might have turned out had that happened. Like a sequence in Harlem when Bond enters a restaurant which serves as a front for his adversary’s illicit operations. And everyone in the place is black. An approach which an undercover operative calls a “clever disguise.”
“Voyage to the bottom of the Sea” regular David Hedison becomes the fifth actor to play 007’s longtime ally CIA agent Felix Leiter. His rendering of the role is a far cry from the most recent Leiter (Norman Burton in Diamonds Are Forever, who seemed more like light comic relief) and makes for probably the best Leiter since Jack Lord played the agent in the first Bond adventure Dr. No (1962).
Yaphet Kotto makes for an OK villain but his claw-handed henchman Tee Hee (Julius Harris) makes for a delightful scene-stealer. Clifton James is amusing as a redneck sheriff though he comes off as being too much of a buffoon. Former Beatle Paul McCartney’s title tune certainly makes for the liveliest Bond theme song ever. Seymour is quite a stunning presence despite the fact that her accent makes her sound like a fairy tale princess. However, she does establish herself in a pantheon of such Bond beauties as Ursula Andress, Honor Blackman, Claudine Auger, and Diana Rigg.
While the film is a bit chatty, director Guy Hamilton–who also helmed 1964s Goldfinger and Diamonds Are Forever–keeps the narrative going at a slightly brisk pace. But hey, this is a new Bond; Hamilton is breaking Moore in, presumably saving the heavy stunt extravaganzas (though there is a jaw-dropping boat chase which includes a moment which made the Guiness Book of World Records) for later entries in the series–hopefully. Moore relies primarily on being witty and charming to get himself out of trouble than the fisticuffs frequently employed by Connery (when there was no available gadget or PPK around to do so). to extricate himself from sticky situations.
Following a near three-year absence from the screen, James Bond returns to cinematic service for the Queen. The Spy Who Loved Me firmly establishes Roger Moore as the suave operative and pits him against a malevolent marine magnate (Curt Jurgens) with designs on destroying the world. This entry marks a first in the series as producer Albert R. Broccoli has parted ways with partner Harry Saltzman. Which accounts for the approach to Bond who, in Moore’s first two efforts seemed more like Michael Caine in Get Carter (1971)–which Saltzman produced. Caine’s Jack Carter was influenced by Sean Connery’s 007. Here Moore gets to show his knack for humor while on his new mission.
Two submarines–one British, one Russian–somehow disappear. MI6 recalls Bond from Austria to search for their country’s vessel. Shortly thereafter, the KGB contacts one of their own (Barbara Bach) to get their boat back to the USSR. They both wind up meeting, unexpectedly, in Cairo. As both the UK and the USSR are each a craft short, an Anglo/ Soviet partnership is formed by 007 and Major Anya Amasova (Bach) and their respective superiors: M (Bernard Lee) and General Gogol (Walter Gotell, who previously appeared in the second Bond film–albeit in a different role–From Russia with Love). They head to Italy by train to investigate the operations of Karl Stromberg (Jurgens) but the mission is nearly derailed due to the unwelcome visit by an assassin in Stromberg’s employ: a steel-toothed giant named Jaws (Richard Kiel, last seen making travel tough for Gene Wilder in Silver Streak).
Later the pair are received by Stromberg aboard his impressive aquatic citadel and later utilize the latest marvel created by Q (Desmond Llewelyn): a Lotus capable of traveling the roads and underwater. The car also sports an array of options which Bond employs to escape pursuit by Jaws, Stromberg’s pilot (alluring Brit genre actress Caroline Munro), along with a few unnamed henchmen. Then comes a bit of news which threatens to put a chill on the relationship between Bond and Amasova both personally and professionally.
Lewis Gilbert, director of Connery’s next-to-last Bond appearance You Only Live Twice (1967), returns with a recycling of that film. The screenplay exchanges the hijacked rockets for shanghaied submarines and a secret base inside a volcano for an underwater one. Jurgens makes for an uncharismatic nemesis for Moore. He almost seems to be like an adversary which David Hedison and Richard Basehart might have encountered on the old series “Voyage to the bottom of the Sea.”
Marvin Hamlisch, substituting for usual 007 composer John Barry, crafts a score which lacks the excitement of prior Bond film scores. “The James Bond Theme” sounds rather dull and unimpressive when heard in the pre-credit sequence. Such an amazing feat performed by Rick Sylvester certainly deserves better. It’s really a shame that Barry didn’t compose a work to complement the efforts of John Glen’s second unit work. The score and Jurgens are about the only flaws in an otherwise solid adventure that should hopefully get the series back on its feet. Hopefully the next installment–the end credits note the upcoming one will be For Your Eyes Only–will be here sooner than the nearly three year gap between Guy Hamilton’s lackluster The Man with the Golden Gun and Gilbert’s The Spy Who Loved Me.
Roger Moore’s humor helps him put his own stamp on Bond’s passport to adventure. After starting up with Hamilton putting him through his paces on his first two cinematic missions for British Intelligence (Live and Let Die, The Man with the Golden Gun), Moore and Gilbert click and the third time is the charm for the actor’s presence to completely differentiate his 007 from Connery’s hard-edged approach.
Ready To Bond, Mister Bond?
Are you ready for Bond: World Of Espionage, a free, fun mobile game?
Why should you play Bond: WOE? It’s enjoyable without having to spend money on gold or extras. Collect and assemble weapons and vehicles, fight legendary book and movie villains, build your team of agents, and battle with individual agents and alliances.
“Mother Has Been Bad, Or Is It Good?”
Take a mentor to show you the ropes. Mentors and mentees earn rewards inside BWOE. I’ll be happy to serve as your mentor. Just shoot me a note.
The graphics of BWOE are as good as that of any mobile game online. And the villains you’ll encounter are taken from the EON film franchise and from Ian Fleming’s novels and short stories.
Wint and Kidd from Diamonds Are Forever are truer to the books than the films, but Moneypenny, Q and others are taken straight from Spectre and Skyfall. The dozens and dozens of agents like Honey Ryder, Silva and James Bond himself are sharp looking and carry deadly weapons and gadgets.
Agents you know and new creations, all each have a glossy dossier describing their strengths and bonus abilities for matching to conflicts, missions and alliance wars.
And the gorgeous mission scenes are beautiful. It’s worth the effort to get all the way up to Spectre, to see the beautiful Day of the Dead and other artwork in-game.
Hint: Just shoot me a note if you want free mentoring in the game, to get better, fast. There are rewards in it for us both!
Players earn attribute points for completing special missions and going up in level, which happens fast in the early stages of the game. Hint: Don’t add points to your Offense, Defense or HP stats, ever. You may not even need to add them to your Stamina rating.
Hint: You should add them to your Stamina rating, at least up front, as Stamina for conflicts and villain battles and Energy for missions auto-reset on timers. And Stamina hits on a villain count for double leveling-up points, and for certain hits one-on-one, triple, even quadruple points! Regardless, come away from the BWOE for some hours and you will have 2x as many points to “spend” to level up, faster, if you build both Stamina and Energy points. But as you grow stronger, you will want lots of points for missions! You can even buy facilities for millions of cash dollars in the game to upgrade your energy levels, permanently.
Completing missions gives you cred, money to spend and advances you in level. Developing the level of your agency and your individual agents gives you bonus Stamina, Energy, Offense and Defense, so you need not earmark points for those categories. Hint: Save the big push for the end. If you have 100 points left in both energy and stamina, and are on the edge of a new level, (where both refresh to full) instead of doing a mission, for say, 17 points, or a villain hit for 20 points, play one of the “spin to win missions” for 100 points–you’ll be 98 points closer to the next level plus you might win a cool prize or even a new agent.
Hint: Save a big burst of points for the end of an agency level. Say you have 200 points in Stamina and Energy but are approaching an experience rating to take your energy next level, where both Stamina and Energy will fully recharge, meaning you cannot use all of those 400 points. Use points precisely until you are 1 or 2 shy of the next level, then spin for a free agent, say, in Russia, for 145 points. You will start the next level with 143 or 144 experience!
Conflict is a fun way to earn dollars in the game, but you can also earn dollars from redoing missions you’ve completed, plus after completing secret missions you earn spins for free new agents. Don’t waste your points. Put most of them for Energy toward missions. Hint: Conflict gets fast cash, especially against high-level agencies. $25,000 to $100,000 or more per punch or kick! Good times.
Hint: Speaking of conflict, watch out for battles with members of strong alliances. It’s better to fight some dude or chick with a Level 210 Agency, allied with 21 other playing pals, than it is to take on a Level 150 Agency, allied with 35 other bad-mamma-jammas.
Hint: Know thy enemies. If a level 200 cannot take out a level 100 in a straight-up duel, it’s because of the level 100’s alliance. If you’re in a alliance, use espionage instead of dueling.
Hint: Be judicious in fighting villains and henchmen. “Choose your next enemy carefully, Mister Bond, he may be your last.” Don’t just plunge into a villain confrontation but 1) see if this battle was begun by an alliance teammate and 2) see which villains are close to 100% defeated already, so you can put the killing moves on and get the swag.
Super mean and nasty hint: We all need friends. Add players you can beat easily to your friends list, then make “friendly visits” whenever you need some quick conflict points or cash. You did not read that here!
You’ll want plenty of gold in BWOE to advance your agenda. There’s plenty of free gold, with more to spare, from completing in-game achievements at early agency levels. Once you are strong enough, you make your own agents by spinning for new ones, without gold. Don’t buy anything–just enjoy the free ride.
Be patient, as free-play timers take a while to load. If you play a bit in the morning, then again in the afternoon, and one more time near bedtime, you will gain a level or two a day, and have fun exploring Bond’s world.
There are free offers you can complete for gold in the game–but take screenshots to document your progress, in case the offers don’t hit your account properly. There is also plenty of enjoyable gaming without the free offers and without making any in-game purchases.
Hint: Get to detonate faster, free. You need not acquire all six conflict powers to have the power of detonating (exploding) your enemies. Just run the three along the top of the powers (Shoot, Strangle, Defenestrate) then straight to Detonate! And now you know.
Enhancers are used to combine agents to make super-agents. Go to the right location to get the bang for your game bucks, where you get not only enhancers but gamble for new agents:
- Skyfall: Gold
- Thunderball: Purple
- From Russia With Love: Two Greens and a Blue, for 145 points
- Slow Down Faster: Gold and Green
- Diamonds Are Forever: White
- Dr. No: White and Green
Join an alliance as soon as you are able. Alliances protect you from losing too much money during in-game conflicts. But choose your next alliance carefully, Mr. Bond–it may be your last.
A weak alliance is just kind of there to protect one another from losing too many dollars in conflicts.
A strong BWOE alliance enjoys fellowship during in-game chat. They also band together to fight alliance wars effectively, sending teams of spies, commandos and other agents to time attacks and defense. You’ll know the better alliances immediately by their leaderboard status.
Hint: See if you can get accepted to an alliance above your level rating. If you send a message letting them know you are active in alliance wars and serious about play, they’ll sign you on in most cases. Top alliances receive free gold and status badges to wear in-game, every few months.
Much game fun ensues when you not only collect Bondian swag, but build it, using components in Q’s Lab. Hint: When you get an e-mail, “Hey, you can build a PPK!” wait on your pleasure, saving up for bigger and better things. (I held wheels, an antenna, leather, etc. and that lovely ejection seat, so that when my self-destruct timer comes in, I get an Aston Martin DB5!)
Hint: You can also collect cool stats. Example, if you never retreat from a conflict battle by hitting the “Leave” button, but rather back out of the screen using the back button or another button, you will have a 0 in your “You Have Been Finished” battle statistic. And that’s something only Bond himself can say otherwise.
Just shoot me a note if you need any assistance in the game, a mentor to lean on, or have questions. See you online inside Bond: World Of Espionage!
2014, CreateSpace, 128 pages. (Review posted 9 August 2015.)
Perhaps not second to none, but you’d be forgiven for thinking it’s not too far off! Credit where credit is due: this is a truly exhaustive overview of Bond’s cuisine, which spans the Fleming novels, the official spin-off novels, and the films. ANY type of culinary reference is captured by Matt Sherman’s sharp eye – and then is often embellished by his very dry wit – and this includes food or drink-oriented product placement and/or any sort of unintended devouring that has occurred in the series (e.g. Die Another Day at 46 minutes and 8 seconds: “Bond spits out water from a fire sprinkler that douses him”).
Thus, the level of research detail is hugely impressive – and the breadth of detail is also where a great deal of humour is mined: James Bond’s Cuisine manages to traverse that seemingly contradictory line of serious scholarship delivered with the enjoyably relaxed and accessible quality of a “coffee table” book.
Furthermore, you come away from the text with a firmer-than-firm sense of the place of cuisine in the highly sumptuous Bondian atmosphere – and the book manages to genuinely surprise one in its highlighting of the sheer extent of references to food and drink, and munching and consuming, found within the series. Mr Sherman also includes some practical indexes such as “signature meal cuisines” and “real world Bond eateries”.
Admittedly, I’m not really a “foodist”. The principal attraction in purchasing this book was based on my enjoyment of Mr Sherman’s knowledgeable and personable presence within James Bond fan communities. I can certainly see, however, that a by-product of a great interest in James Bond is that one is served a strong knowledge base in culinary pursuits. I feel well equipped to wing it through dinner party conversation.
Furthermore, I found that this book – in the process of pinpointing all the culinary references – kept reminding me of all the engrossing Bondian moments and scenarios I have enjoyed over the years. That constitutes a bonus in what is a tremendous reference work.
Last but not least, I particularly liked the capsule summaries for each and every Bond novel and film, where references to mastication have been employed to describe the central conspiracies and action. To wit, 1984’s Role of Honour (“Ending superpower supremacy will devour the economy unless James Bond crashes S.P.E.C.T.R.E.’s flight of fancy”), 1960’s The Spy who Loved Me (“James Bond sustains a woman after other men wolf down her vulnerability”), and 1974’s film version of The Man with the Golden Gun (“An assassin with a penchant for Cordon Bleu cooking creates crises for James Bond”).
To be enjoyed and admired!
Roger Moore essays the role of Ian Fleming’s secret agent 007 for the sexth, that is sixth time, pardon the pun. James Bond’s newest cinematic mission, other than surviving some serious competition from the likes of Return of the Jedi and Superman III, finds the veteran spy taking on an exiled Afghan, a subversive Soviet soldier, and Octopussy.
John Glen, director of Moore’s last assignment, For Your Eyes Only (1981) returns. The twelfth installment of the series shows no signs of serving as a coda though Father Time is certainly catching up with Moore. At nearly 56 one can only wonder when he’ll be handing in his licence to kill.
Following a spectacular opening sequence, as they usually are in the Bond pictures, Bond is at the office. There he is chatting up Miss Moneypenny (Lois Maxwell) and her young, comely assistant (Michaela Clavell, daughter of Shogun author James Clavell). He gets a briefing from his superior M (Robert Brown, filling the shoes of the late Bernard Lee) and the Minister of Defence (Geoffrey Keen) following the death of a fellow MI6 operative.
Bond’s latest undertaking whisks him from an auction at Southeby’s for a jewel-laden egg to an encounter in India with a charismatic Afghan named Kamal Khan (Louis Jourdan). Shortly thereafter he has a brief tryst with Kamal’s alluring mistress (Kristina Wayborn), becomes a prisoner, and later a quarry of Khan.
Of course there is the Bond woman. Maud Adams, who played the mistress of Moore’s foe in The Man with the Golden Gun (1974), returns to Bondage in the role of Octopussy. She is a wealthy woman whose business interests include a circus, jewel smuggling, and soon after meeting him, James Bond too (of course). Khan isn’t Bond’s only problem. His adversaries include a warmongering Russian (British stage veteran Steven Berkoff)) who is far more menacing than his Afghan ally–talk about strange bedfellows; Kabir Bedi as Khan’s Sikh henchman; and the usual assortment of unnamed goons whom Bond disposes of sooner or later.
Adapted from a pair of Fleming short stories (“Octopussy” and “The Property of a Lady”), Octopussy offers up an entertaining bonanza of action and humor. Though the finale, as much fun as it is, does stretch credibility a bit as several spry she warriors team up with Bond and the curmudgeonly gadget guru Q (Desmond Llewelyn). It’s nice to see him in the thick of things. One might wonder if the writers have ever thought of bringing back Felix Leiter. It’s been a number of years since the CIA agent and 007 ally was last seen onscreen in Moore’s first Bond adventure, Live and Let Die (1973). In addition to Lucas’ space saga and the Superman sequel, Bond will be facing off this year against… James Bond. Sean Connery will soon be coming to theatres as 007, nearly a dozen years since he renewed his licence to kill and thrill in Diamonds are Forever.
With the steady build-up of buzz being generated by the fall release of the next James Bond film “Spectre,” a recently released restaurant guide can help fans dine like Agent 007.
In his book “James Bond’s Cuisine: 007’s Every Last Meal,” author Matt Sherman combed through 54 books and 23 films in the Bond franchise to come up with a list of 254 real-world dining destinations.
Travel site Goeuro recently distilled the listing into a handy infographic that breaks down the restaurants by country and region.
Not surprisingly, restaurants in the U.K. and Ireland get the most mentions, with 21 restaurants.
According to Sherman, the most popular dining destination in the entire repertoire is Scott’s of Mayfair in London, which is mentioned in four separate films and books.
While in the U.K., Bond’s typical meal choice may include a good old-fashioned steak with potatoes and a picnic hamper from Harrods.
To sample the glamorous spy life, Sherman suggests hitting up Ascot for smoked salmon sandwiches and washing them down with Dom Pérignon champagne.
Bond is also a fan of dining at the ritzy Casino de Monte Carlo in Monaco and Harry’s New York Bar in Paris, both of which get three mentions throughout the Bond franchise.
And in the 1985 film “A View to A Kill,” Bond (Roger Moore) tucks into foie gras topped with caviar on toasted brioche at the iconic Jules Verne restaurant at the Eiffel Tower.
Fans can also find Bond-approved restaurants and addresses in countries like the Netherlands, Belgium, Portugal, Switzerland, Greece, Germany and Austria.
Review: Moonraker (1979)
Bond also gets an encounter with a striking siren of a scientist with a good head on her shoulders named Holly (Lois Chiles) who gives Bond a taste of astronaut training which goes awry thanks to a jerry-rigged centrifuge, courtesy of Drax’s kendo-savvy manservant Chang (Toshiro Suga). Of course wherever Bond is, there’s a woman waiting to be swept off her feet even if in doing so, the results prove fatal; as they do for one of Drax’s employees (Corinne Clery) who goes to the dogs.
By Robert Baum
Timothy Dalton makes his second time around as Ian Fleming’s James Bond in the sixteenth 007 screen adventure, Licence to Kill. This film is more influenced by the sort of mega-action blockbusters produced by Joel Silver and not prior Bond efforts by producer Albert Broccoli. Dalton’s 007 is tough-as-nails and takes on a very real adversary: a cocaine kingpin (Robert Davi, who appeared in Silver’s Action Jackson and Die Hard).
The previous Bond picture The Living Daylights–which marked Dalton’s 007 debut–seemed typical 007: nifty gadgets, lovely ladies, a slew of exotic locales, and an incredible assortment of stunts. This time we see a Bond unlike prior Bonds (Sean Connery, George Lazenby, or Roger Moore). In the course of the film’s 133 minute running time we get to glimpse but a few locales. While the primary female (Carey Lowell), formerly in the army and CIA, is attractive she doesn’t seem credible as a veteran operative accustomed to working in hostile territories.
Helmed by John Glen, who has directed the Bond films since 1981s For Your Eyes Only, this installment has no moments of laughter or levity in any way whatsoever. For the first time in his career 007 is on his own. No mission this time. This time the matter is a personal one.
En route to the wedding of longtime friend Felix Leiter (David Hedison, who makes a return to the role he first portrayed in 1973s Live and Let Die), he and Bond stop to capture drug lord Franz Sanchez (Davi) as the film opens. The opening sequence offers a chance for us to witness an amazing display of jaw-slackening stunts.
Unlike prior Bond tales, Felix Leiter plays a pivotal role in the story. Actually what happens to him is taken from the Fleming novel Live and Let Die. Though Hedison is about two decades older than Dalton, they seem to have some rapport. This hasn’t really been apparent with Leiter’s other appearances, or any other Leiter–save Jack Lord and Hedison–for that matter. Unfortunately, we don’t get to see much here. Hedison seems little more than an extended cameo, a pity.
Bond’s love interest Pam Bouvier could have been more interesting but she isn’t. While she makes for a far more better 007 ally than Tanya Roberts in A View to a Kill, Lowell is not a great beauty like Dr. No’‘s Ursula Andress or Live and Let Die‘s Jane Seymour. Lowell makes Britt Ekland, who played Mary Goodnight in The Man with the Golden Gun) look like Diana Rigg in On Her Majesty’s Secret Service. Lowell looks as if she’d be more at home as a comely coed in an Animal House type of film. Lupe Lamora (Talisa Soto), Sanchez’s mistress, exudes a stronger presence than Pam Bouvier. Despite being only 22, Soto exudes an exotic sensuality that makes her seem more mature. Even if she is merely little more than an ornament.
As Sanchez, Davi is quite a convincing foe. His presence makes for perhaps one of the few times in the series that Bond has faced an opponent who possesses a very real threat to him. Davi brings a suave and menacing charm to the role and is likable in a perverted way. His Sanchez is a villain to be feared. We know it. Davi knows it.
While the film is far from perfect, it is far from the typical Bond films, particularly those of recent years. But in an era of Indiana Jones and high body count, testosterone-laden, jingoistic protagonists often essayed by Sylvester and Arnold Schwarzenegger, Dalton shows that when it comes to action, no one does it quite like 007.